ABSTRACT

Purpose: This paper is an attempt to identify, understand and examine the eco-feminist themes embedded in one of the most sought-after novels of Namita Gokhale A Himalayan Love Story, published in 1996. Through an analysis of the narrative, setting, and characters, this study reveals how Gokhale portrays the intersections of nature and femininity, critiquing the exploitation faced by the both under patriarchal systems that prevails almost at all place humans live. The research aims at achieving the arguments by integrating extensive relevant textual evidence and suitable secondary sources available for the purpose.

Ecofeminism:  Karen J. Warren in Ecofeminism: Historic and International Evolution mentions - "Ecofeminism is a movement that sees a connection between the exploitation and degradation of the natural world and the subordination and oppression of women." (p. 206) Eco-feminist theory in literature, particularly within the Indian context, combines feminist and ecological perspectives to critique and address the intertwined issues of gender and environmental exploitation. The focus is on the intricate relationship between ecological elements and gender dynamics.

Findings: The paper argues that the novel provides a nuanced critique of the depicted societal norms and advocates for an inclusive and holistic approach to understanding the interconnectedness of humans and their surroundings. It looks at the interplay between ecological elements and gender dynamics; renders the relationship between women and nature. It supports what Ariel Salleh has stated in Ecofeminism as Politics: Nature, Marx and the Postmodern - "Ecofeminism seeks to show that the link between women and nature is not simply one of historical or philosophical association, but one of necessity for human survival."(p. 3)

Key Terms: eco-feminist, marginalization, patriarchy, environment, nature, objectification

Paper Type: Research Paper